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February 2008
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Here's an excerpt from "Song Yet Sung," by James McBride, which is reviewed in today's GuideLive. The excerpt comes courtesy of Riverhead Books. On a grey morning in March 1850, a colored slave named Liz Spocott dreamed of the future. And it was not pleasant. Liz had this dream in captivity, just as the flickering light of her own life was disappearing, and when she awoke from it realized with a gasp that it was some kind of apparition and she had to find its true meaning in this world before she died. This brought her more grief than her condition at the time, which was not pleasant, in that she’d been lying for three weeks, badly wounded, imprisoned in an attic on Maryland’s She had taken a musket ball to the head at Ewells Creek, just west of New Market. It was five a.m. when she was hit, running full stride on a brisk March morning behind three other slave women who had made a desperate dash for freedom after two days of keeping a hairsbreadth from two determined slave catchers who had chased them, Liz never even heard the shot, just felt a rush of air around her face, then felt the cool waters of the creek surrounding her and working their way down her throat. She tried to rise, could not, and was hastily dragged to shallow water by the other women, who took one look at the blood gushing out near her temple and said, Good-bye, chile, you free now. They gently laid her head on the bank of the muddy creek and ran on, the sound of barking dogs and splashing feet echoing into the empty forest, the treetops of which she could just make out as the fog lifted its hand over the dripping swamp and the sun began its long journey over the Maryland sky. Not two minutes later the first dog arrived. He was a small white and brown mongrel who ran up howling, his tail stiff, and ran right past her, then glanced at her and skidded to a stop, as if he’d stumbled upon her by accident. If Liz weren’t shot and panicked, she would have remembered to laugh, but as it was, sitting in water up to her waist, she felt her face folding into the blank expression of nothingness she had spent the better part of her nineteen years shaping; that timeworn, empty Negro expression she had perfected over the years whereby everything, especially laughter, was halted and checked, double-checked for leaks, triple-checked for quality control, all haughtiness, arrogance, independence, sexuality excised, stamped out, and vanquished so that no human emotion could emerge. A closed face is how you survive, her uncle Hewitt told her. The heart |
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