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Excerpt: "The Likeness," by Tana French

12:36 AM Sun, Aug 03, 2008 |
Michael Merschel   E-mail   News tips

Here's the opening of The Likeness by Tana French, reviewed today in GuideLive.

Prologue

Some nights, if I'm sleeping on my own, I still dream about Whitethorn House. In the dream it's always spring, cool fine light with a late-afternoon haze. I climb the worn stone steps and knock on the door -- that great brass knocker, going black with age and heavy enough to startle you every time -- and an old woman with an apron and a deft, uncompromising face lets me in. Then she hangs the big rusted key back on her belt and walks away down the drive, under the falling cherry blossom, and I close the door behind her.

The house is always empty. The bedrooms are bare and bright, only my footsteps echoing off the floorboards, circling up through the sun and the dust motes to the high ceilings. Smell of wild hyacinths, drifting through the wideopen windows, and of beeswax polish. Chips of white paint flaking off the window sashes and a tendril of ivy swaying in over the sill. Wood doves, lazy somewhere outside.

In the sitting room the piano is open, wood glowing chestnut and almost too bright to look at in the bars of sun, the breeze stirring the yellowed sheet music like a finger. The table is laid ready for us, five settings--the bonechina plates and the long-stemmed wineglasses, fresh-cut honeysuckle trailing from a crystal bowl--but the silverware has gone dim with tarnish and the heavy damask napkins are frilled with dust. Daniel's cigarette case lies by his place at the head of the table, open and empty except for a burnt-down match.

Somewhere in the house, faint as a fingernail-flick at the edge of my hearing, there are sounds: a scuffle, whispers. It almost stops my heart. The others aren't gone, I got it all wrong somehow. They're only hiding; they're still here, for ever and ever.

I follow the tiny noises through the house room by room, stopping at every step to listen, but I'm never quick enough: they slide away like mirages, always just behind that door or up those stairs. The tip of a giggle, instantly muffled; a creak of wood. I leave wardrobe doors swinging open, I take the steps three at a time, I swing round the newel post at the top and catch a fl ash of movement in the corner of my eye: the spotted old mirror at the end of the corridor, my face reflected in it, laughing.



Comments

Posted by jtipping @ 5:27 PM Sun, Aug 03, 2008


With her first book, the utterly amazing "In the Woods," Ms. French became one of those authors whose books I'll pre-order from Amazon, sight-unseen, just because it has her name on it. I'm already halfway through "The Likeness," and it's even better. It's a must-read for anyone who loves suspense, and also for anyone who just loves unbelievably good writing.




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